Resor House Collage, Mies van der Rohe. 1939
Resor House, digital reconstruction. Movement in a fixated field.
Resor House, digital panorama. Exterior views manifest a surface caught between image and boundary.
reimaging Mies's unrealized Resor House through a new surface typology, the Ergovisual. Literally meaning, a kind of visual working through of space according to natural laws of perception. The project takes ergonomics as a point of departure. It takes liberty, however, to invert this idea--introducing a surface that challenges our conventional means of experiencing space, suggesting alternative inhabitations and relationships between interior and exterior, depth and shallowness, surface and image.
