Sterile Soil
Know that we did everything in our power at first
to keep the single egg entombed, my scarlet carcass,
a safe, but when the animals inside me began to feed,
I could not keep their black tongues at bay.
He tried to keep me from hating my womb,
whispering words like again, different, not your fault.
So we knelt in the blood and prayed for wet soil again,
a dark tunnel out of the hunger, seed that sticks,
but when the dead stayed dead we curled up
in the back bedroom for hours, in a deep stupor.
I begged him to lay on top of me, to bury me
beneath his body, to press his belly to my face
so I might want for air, so I might feel some comfort
in being so close to death. I wanted him to see me blue,
to know what it was like for a blue thing to come out of you,
but he refused, so we laid still listening to the squall outside,
imagining our children scattered behind the house.
Nothing but large fields lay behind us now, sterile soil,
and there is no conception, only stench
scissors, razors, shears, and brilliant blue
birds like shadows, sober and naked on the ground.
4 comments:
ok, so "blue birds like shadows, sober and naked on the ground" is working for me. love it. Overall I like this poem. I don't know if I want to like the subject, but I don't really have a choice because it's more than poem worthy. Is it too big for one poem though? What kind of scale were you thinking of when you wrote this? It feels oddly broad, yet not.
do you think it could be part of a long poem?? i am about to try my hand at that but wasn't thinking of this poem in long terms? i don't know where i am right now? maybe its just not working because its like the abortion essay or drunk driving argument paper?
i don't think you should ditch it. for me, it felt dense in themes, not too long if that makes sense. i am more interested in the role reversal situation you create at "I begged..." and on. it just felt more realistic and more personal than the sexual desire and the discovery scenes you paint. because your words seem to be more natural, fluid, and beautiful in the final section compared to the first and not as forced. Did you feel more comfortable writing that part because it reads that way? Cover up the first half and see what you get from it. Don't ditch it.
I would like it better if it were apart of a longer poem about a relationship. Right now it wants to be about the people, but it's too dense. Maybe keep going with the themes but see how they play out over different parts of these two people, the house, the land, soil etc...
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