12.12.09
10.12.09
More render wonkitude
This is as good as it's getting, girls.
Let me know thoughts....I know the skyline is funky, but I've been working on it and it's a bitch. Let's just slap this shit on a board. Continue
9.12.09
I don't know Maddy. What's your render scale? Mine is confusion at the moment. Call me back. I'll be up late.
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Pedestrian movement out of the area, and zones showing the dead space. Works, no/yes?
A little addendum to the last note session: this area is NOT, I repeat NOT the "South End." This is the portion of a three-neighborhood section of town called "South Boston", or if you prefer, "Southie." The bottom half of our peninsula is one of these neighborhoods, but the top half (the area we should be concentrating on) is still just shipping, hotels, and parking.
With the dotted lines I was trying to insinuate that the primary flux of traffic is leaving the area, not entering it. Do you think it works?
Obviously some labels need to be put on, even for those familiar with Boston.
Ladies, give me some feedback.! Continue
Oil water and the world...or maybe just Canada
With the Copenhagen Climate Conference currently underway, it is time to start really looking at the facts. Whether you believe in green house gases or climate change or if the Earth is cooling or warming that is irrelevant. Science has proven both cases and science has been fudged to prove both cases. John Stewart can catch you up! In the end, the world is changing and decisions need to be made. Although the video is an obvious push toward one side, and in my line of work neutrality is necessary, I thought it was informative and the graphics are neat too.
Click on H2Oil
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Tables are for textbooks.
Something for the "table" of contents in my portfolio. More like a timeline. ...still in process.
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8.12.09
a collective calendar
Every month features a different member. We have 11 so maybe the first month can feature all of us...probably january. I have a template and when everyone picks I'll send it out with the names assigned to the corresponding month. It will be in InDesign, which I'm pretty sure we all have.
I call November.
GO!
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I call November.
GO!
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7.12.09
Collective Christmas Mashup Clemson, SC
Official Invite Coming Soonish
Official Invite Coming Soonish
12/31/09 Nick's/Dancing In the Streets (bring your boombox) 01/01/2010 2:30pm apt.130 Village Green New Year's Day Lunch_Pork/Greens/BlackeyedPeas Secret Santa (If you wanna participate put one hand in the air, say ye-ah)
>>>>>RSVP RSVP RSVP RSVP RSVP<<<<<<
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2nd shift-Boston brainstorm
Second try.
Here are the notes from the initial conversation between me and Temps:
2 big renders
bank of people
1 time lapse band
1 sectional band instructional
literal captions
san serif on captions
acrylic in tension?
Captions are important
--------------------------------
Vague, right?
We talked about the ultimate idea just being how to make dead spaces be not so dead. In doing this, we hope to increase pedestrian circulation from the Financial District into the South End, all the way to the port. The area offers a series of disconnected zones--dense brick studios > parking lots galore > convention center and hotels for those coming to Boston just to sit in their hotel lobbies and have meetings > shipping central.
Continue
Here are the notes from the initial conversation between me and Temps:
2 big renders
bank of people
1 time lapse band
1 sectional band instructional
literal captions
san serif on captions
acrylic in tension?
Captions are important
--------------------------------
Vague, right?
We talked about the ultimate idea just being how to make dead spaces be not so dead. In doing this, we hope to increase pedestrian circulation from the Financial District into the South End, all the way to the port. The area offers a series of disconnected zones--dense brick studios > parking lots galore > convention center and hotels for those coming to Boston just to sit in their hotel lobbies and have meetings > shipping central.
I'm making a density map out of the South End and using it to call attention to the enormous amount of dead spaces, specifically parking lots. There are a LOT.
Our scrim boxes will entice from across the bridge as odd boxes on poles and trees, acting aslarge urban lamps.
As you move from the Summer/Congress Street bridges inward and move past the denser blocks of brick buildings, you move into a zone where you can either continue crossing the bridges to come to the Convention Center, or walk beneath the bridges to what amounts to a half a mile of parking lots.
Larger scrim boxes will be suspended above the parking lots, not so much as physical areas of congregation (which the rest of the scrim boxes are) but acting more like guideposts for continuing the journey toward the port.
Continuing from the parking lots is a more dense area full of hotels for professionals visiting the Financial District. Or the Convention Center. Or the World Trade Center. The hotel area iseconomic holy ground, but there is no pedestrian traffic. The few outdoor areas are sad.
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This is getting too specific, but whatever. Temples and I have configured what elements we want on the board and who would be the best to realize them.
We want two very large renders showing the scale/population density/materiality of the scrim boxes. The title of our project should pose a provocative question, and these renders should be our visceral, visual reaction. But, they're also kind of just eye candy.
With these renders, we're going to concentrate not only on the scrim boxes, but also on the rendering the people--physically and emotionally. There will be "ticker tape" lines of dialogue spanning the renders, acting as thoughts and reactions of our population. These should represent what we're trying to accomplish with the scrim boxes--stop and smell the roses, ask your neighbor what these fucking ugly boxes are, whatever. The act of conversing/socializing is important, not the quality.
In addition to these renders, we'd like to make a film-strip of an area/multiple areas throughout the day, showing the change and increase in population density and also the physical qualities of the scrim and how our lighting system can change, or react (if we wanted to do motion-sensor leds).
In tandem with that film strip, we'd like to develop another film strip that mimics the action of the first, but deconstructs it as a series of elements, ending with what we would imagine is a construction-material diagram. The first would be rendered with photos, this one might simply be a collection of lines--perhaps the city skyline and then the elements we're bringing out, ie. showing just the scrim box as an element, showing how it's hung (via tension with local objects), etc. This diagram would show the ease with which the system could be mounted, because let's face it, the South End is broke as a joke.
So in the end, here's our final schedule/task list:
TEMPLES:
1 large render with people and lighting (night or day, pick one)
filmstrip 1 showing daylighting, density
DYLAN:
filmstrip 2 showing elements, construction--talk to Temples about this, I don't know if I did a great job explaining above
MADISON:
density map with scrim placement (can be adjusted, of course)
1 large render with people and lighting (night or day, whichever one Temples didn't pick)
And then we'll do/edit the write-up together. Or Temples and I can do it.
Temples and I want to have prelim renders done by tomorrow so we can match the styles and everything. The final board can be pieced together on Thursday night--it's not due until Friday at 4.
I feel like I'm missing some things, so let me know. This is going to be good. I hope.
Why, Gehry, why?
Our favorite architect to hate has designed a hat for Lady Gaga. She would still look fabulous with a trash-heap hat.
To read his absurd description of the "design process" click here > http://blog.archpaper.com/wordpress/archives/5456
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To read his absurd description of the "design process" click here > http://blog.archpaper.com/wordpress/archives/5456
Continue
It never hurts to network.
Hali and I are road tripping to visit grad schools. I thought I'd post our tentative itinerary. The plan is to start this thing on the 3rd of January, and be in each new city the following day. Does anyone have a friend with a free couch and floor who could put us up?
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6.12.09
[entrance to a school]
black stiff fabric
humid, rainy with
multi-colored
yellow,
blue,
pink.
f l e s h plastic.
can't see over
down is trafffic,
is trees.
stuck on a neoclassical stoop.
waiting on a way out, really.
take a couple with you.
be the first one out.
don't let the sticky stick you.
burn of polymer:
you smell a fake!
a fake willing to be so.
at least with a function,
a manufactured utilitas.
_________________
[reprise]
a door creeks and makes your cramped situation worse.
you don't feel it yet, but it's coming.
packed like atoms.
different than in rooms.
so close to outside.
(outside, in fact)
but the rain makes a curtain
a dressing screen.
you won't go out there.
until your momma comes to pick you up.
Continue
humid, rainy with
multi-colored
yellow,
blue,
pink.
f l e s h plastic.
can't see over
down is trafffic,
is trees.
stuck on a neoclassical stoop.
waiting on a way out, really.
take a couple with you.
be the first one out.
don't let the sticky stick you.
burn of polymer:
you smell a fake!
a fake willing to be so.
at least with a function,
a manufactured utilitas.
_________________
[reprise]
a door creeks and makes your cramped situation worse.
you don't feel it yet, but it's coming.
packed like atoms.
different than in rooms.
so close to outside.
(outside, in fact)
but the rain makes a curtain
a dressing screen.
you won't go out there.
until your momma comes to pick you up.
Continue
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