3.9.09

poem. early draft.

Because Everything is Capable of Being Broken

A mocking bird made her nest
at the top of a telephone pole,
and I sat in the grass watching
a hawk eat her babies one by one.

She threw herself against him,
screaming with a broken beak,
his blood, her feathers
dotting the sidewalk.

I could see the babies in his throat,
one dark bulge. The last baby's head
stuck out of his mouth, suffocated
against the bodies of the others.

The hawk wobbled over the mess,
small branches the mocking bird had gathered
for her eggs. He digested his snack.
She was tired, crying against the hawk,

me, the street, the live wires
until her featherless belly broke open
with sadness and she fell
into the grass beside me.

There are children that you do not get,
but our hands cannot choose who we love
and who we should not love.

My sister took her stillborn baby
out of the freezer and sang to it,
her chair facing the window, and I watched
grief settle at the nape of her neck

the same way pleasure can, aching like a loom,
and I thought about how in the beginning
I used to sit with her and tell her stories
of Mary and Elizabeth, how they lugged

their bloated bellies for miles looking
for quiet spots where they could sit together
out of the wind and lift their dresses to look closely
at their stretching skin, the hands and heels

of their sons pushing outward, and how later
they pushed their full breasts to the mouths
of kings and saints, wincing at the bite,
the smell of black hair, the sound of feasting.

I remembered the night she lost her baby
I dreamt that I found her body at the bottom
of the drained pool in her backyard. I wept
when I finally found her round and heavy in bed.

I pressed my ear against her belly, still and emptied,
and I assured her that there were still stories to tell of Mary
and Elizabeth, how one way or another they would throw
the scraps of their children's bodies out to compost.

Because everything is capable of being broken,
how can we rest? Somehow we lift the heavy crates
of our unborn children everyday.



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1.9.09

Notes on a Night Swim

ROAD ENDS AT WATER           

Three-quarter-fat moons

A mauvish, immaculately grey man-made lake, edged in woolly, unruly pine tree cutouts

Glen Miller from a car, with a bike in the back seat

Virg: It’s times like these that I realize why I’m glad I’m not fat.

Everyone else:  glad I’m not: ungrateful, sick of life, of the unexpected. planned. pretentious. afraid of water. afraid of letting go, letting in, giving up. afraid of what they think. glad I’m not dumb, too old, too tired to learn, to change, to go for a swim, when the road ends at water.

Virg: This is why everything I have breaks (lightly touching her grandmother’s chains and pendants), because I have no regard for them (hands to the air, and back down with the released trinkets, a pair of wings and stones to her sides and chest).

Balancing acts.

Virg: She said, you may not be able to do it now, but you will in one lifetime.  I admired her optimism. You have to be grounded to the earth.

What’s that marker for? I asked.  Virg: There are models weighted to the bottom, waiting for headlight photo shoots.

All hams are hit and miss.

Virg: Well I haven’t perfected my routine yet.  I’m only 22. 

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29.8.09

new space!






all the 1st year kids took the window seats. bitches.

i'm mildly excited about the studio space. got in a row with people i like, and there are way more windows than they had in last year's space.


just as a note, the desks are arranged differently than the ones in the architectural plans. which i think is kind of funny.

renovation by garrison architects out of new york.
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26.8.09

my locals




Current Locals. Multis to come. More here.
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21.8.09

500 Days of Summer: In Review

So, recently, I saw the film '(500) Days of Summer.’ It was an honest tale of expectations, perceptions, love and life. However, one facet, among the particulars, that gave the film tremendous depth was the level of detail given to the appreciation of the subtle, captivating urban spaces that remain unspoken in daily interactions. I think the film was largely about the details – the details of relationships, the details of a woman, and the details of everyday life. The film really takes the time to focus, in a very intimate way, on subtleties that a good author will walk through with you – that you would not have noticed otherwise. The details really give this film a rich quality that you can lose yourself in. And, as Mies would say, ‘God is in the details.’

In speaking about the details, I loved all of them – the music choices, the costumes, locations, casting, coloration, editing, cinematography – it was all marvelous. It is pure elation. It bathes in misery. It is honest and heartbreaking. It allows a series of opinions on love. The sequences are all individually crafted and edited in a way that takes advantage of the often-overlooked fact that this is a film. It could be a novel, a short story, a poem, but it is not – it is a film and ‘500 Days’ should be a film; it takes advantage of the medium to tell the story.

The main character, Tom, played by Joseph Gordon Levitt, is a greeting card writer and an aspiring architect. He is a romantic and a head-case, however I think this enables him to find beauty creeping up between the cracks in the sidewalk that most would walk right over. Los Angeles becomes a place in the film, with the help of carefully chosen locations, a genius dance sequence, a park bench and actual Richard Neutra sketches, the film really gives you a sense of place.

In addition to capturing ‘place,’ Gordon-Levitt’s character actually has something to say about place, architecture, and urban design. While the commentary is a little brief and understated at times, he finds beauty in an overlook that looks into a downtown flooded with one too many parking lots. He discusses what he sees though - how there is potential and a subtle captivation in the view to a city. He actually takes the time to voice what he thinks of art, architecture and the city – something very rare in film.

Similarly, there are two sequences in the film where Tom takes time to notice the details of Summer (hair, smile, knees etc.). These sequences are something memorable not because Tom merely mentions them, but that each of her details is totally open to interpretation, as a city is – it could be a cute haircut or a stupid 60’s throwback – it could be an intimate view of a city or an ugly view plagued by too much parking. In other words, perception becomes a choice – it is not forced. The film has an acute understanding of the meaning that we attach to places and to people – and that those meanings run much deeper than physical appearance.

I think it is easy to take a critical position and dismiss a city or a view because of what it lacks - one too many parking garages, way too much asphalt, not enough density, and so on. What Tom navigates well, is the ability to resist the modernist urge to write away history and get lost in what something could be. I don’t think Tom would be one to theorize about a new ‘ideal’ type of urban environment or way of life, rather, he represents an embrace of the ordinary along with the hopes of what could be.

Additionally, here is a music video done by some of the same cast and crew.
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20.8.09

absolut rip-off


Notice any similarities?

(note: the picture is one of the projects featured in Stefan Sagmeister's latest book: Things I have learned in my life so far)

(note 2: I'm switching to Grey Goose.)

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19.8.09

recess time, kids.

pimp your myspace at Gickr.com

let's not take ourselves too seriously. let's get posting. Continue

18.8.09

cover
Blanche Devereaux toga returns on the cover of my portfolio.
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Today's Special Is So America



Home Shopping anchors are sometimes fiercely good at their jobs, usually creepy (see above), and always so America. The Paris Hiltons of daytime tv, some like David Venable achieve viral fame for shear awkwardness. Dylan and I are working on a celebration of this obsession for the b-side of the scrap cover. Scraps for scrap are being pulled from the blog this week! Keep posting or email thestudio@ new material.

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These are Please God Days

It is unbearable how people keep falling in love
with people far away. Not the lovers in different
states with their loins at convenient distances
so the only times are good times half way between here

and Cincinnati - somewhere in Virginia, skiing,
wine tasting - or not skiing and not wine tasting
but making love in hotels with seven-pillowed beds.
I am thinking of lovers who have flown through windows

to know one another better. For whom the fire is not
cleansing or warm, but cracks like the links of a metal
chain around their ankles, wrists, throats.
There is no perfect faith, she says, don't blame me.

When she says sacrifice is something she understands,
she means there is no God of courage. He tells her he is crumbling.
He keeps his resentment in his front pocket, fingering it
like a buckeye. Sometimes he holds it in the side of his cheek -

a damp apology. They sledge stakes in the yard and in the bed
and throw themselves against imaginary fences, falling
back into each other like wounded dogs trying to escape
the front yard. These are please God days when love is not enough

in the flood. She is languorous in the porcelain tub
when he comes home smelling sad. He takes her wet hand
out of the cloudy water and gently brushes his lips against her
knuckles. He stays there fore a long time, beside the tub

holding her hand. She steps out and stands in front of him.
A puddle forms beneath her naked body. He shudders, has to steady himself.
He can think of nothing better to say so he tells her he loves her.
Think of bad days as long distances, she says. You are a layer

of skin I can't explain. They drive past cornfields and graves
wanting to take back the ugly things they said. They carry
everything with them, words heavy as wood axes, waiting
for a clearing, for some moment they can comprehend, like this one.
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i'm here.




talk about diamond in the rough. netherlands architecture, anyone? 

Syracuse's main talent is being seriously sketchville on one block while competing with the world stage on the next. This building is feirce, and it's not even done yet. This sucker is LEED PLATINUM, bling bling. It's some sort of sustainable research mecca, located a 10 minute drive from my place. Think it will be ok if i just go hang out there? Design work done by Toshiko Mori.


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16.8.09

Spill It


What kind of designer are you...

Fill it out, Repost or email thestudio@supermanicecreamcolletive.com. In prep for superman ice cream COLLECTIVE.com, we need to pick your brain. Short/Long answer, what makes you and your work tick. If you need a refresher on multi-Local terms, catch up here.

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15.8.09

horror show

Here is the DVD cover for the short I'm working on. As of right now, this is for a prop, it will be modified for the actual dvd. I might do another iteration later.

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13.8.09

i'm pulling a temps.

no internet for 2 weeks. baltic sea. don't do anything too collective without me. Continue

all aboard.



here's my IDEAL studio, collective.

it is a mobile (and fittingly multilocal) studio carried on a rickshaw. important features are open-air studios, easy-loading dock and latticework for plants.
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SIC Studio


Studio Assignment 2: everyone design your own studio environment...

Go.


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12.8.09

A Northwest Av.Diagonal Gem.



everytime i run past this particular apartment building, i get an odd feeling Laura Bennett is watching me. probably because she lives in it. [see exterior comparison with her season 3 final collection] that sneaky architectrix.

go take care of your 17 redheaded children.

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11.8.09

german haus

a few pictures as promised...


the first two images are of the house. my room is upstairs, on the right side of the house. it faces the back of the house. the last picture is of my room.

all houses around here look very similar, but not cookie-cutter like american neighborhoods.
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10.8.09

out for a bit

I'm doing one of those things where I don't come to studio for a bit, be back Thursday...

IN OTHER NEWS: Kaitlyn got a short film gig, Dylan is moving to his new Local, Kels is back in the EU, and scrap's september issue is on schedule. Dont' forget to send your mailing info to andrew@supermanicecreamcollective.com. Ciao
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8.8.09

Ya falta menos...









In 2 days this adorable family becomes my life for the next month.



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5.8.09

hallo.aufwiedersehen

(hello.goodbye)


now you all know about as much german as i do.

tomorrow i journey to charlotte.new york.stockholm.hanover.hildesheim

here goes nothing...


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3.8.09

Jane Goes to the Beach

Let's call this Jane Austen Goes to the Beach, Part: Too Many. Just a few more print-work things to do and this party's on! 





Invite at the printers now...







1st. There was a bit of Blog Styling












2nd. That whole confusion about what time period the inspiration was reeally coming from. Turns out, this wedding (in general) should feel like a Jane Austen Character ran through the 1800s and picked up some Victorian flair on her way to a weekend beach wedding in 2009. (We're talking a ceremony w/ quilt-covered hay-bale seating, marsh-sunsets and raffia fans)











3rd. The invite is finally finished and printing! Try convincing a broken-record of a employee at the printers that you're OK with NO RAISED FONT! NO TISSUE PAPER INSERTS! NO NO NO. Just Print it, front and back!

Also, the beautiful felt-finished paper should make anyone want to get married. 
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2.8.09

let's recap.

Get it. Join it. Spread it. So easy a baby can do it. .

multi-your passions, inspirations, traits, obsessions, work, skills, fields, etc...
local your networks, cultures, circles, settings, wherever you are at the moment
studio. this blog and its physical manifestations. collaborative/collective projects

Post your multi-locals in images! and go..... .
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1.8.09

magic jar


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Magic Jars

Yesterday, My 2yr old niece (Suzannah, our web designer) pranced through the door screaming "yook! Magic Jars!" In her left hand, a glass jar filled with pom pom-felt balls. In her right hand, a matching jar with more multi-colored pom poms. In my terrible grown-up thinking, I had no idea what Magic Jars were or what magic pom poms held. Upon asking later, I was given their definition.

Magic Jars - n. jars with stuff in them. These jars become magic when you fill them with (insert desire here).

What makes your jars magic? Submit now...illustrated project to come.

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30.7.09

mother mother mother

I have had this beautiful 50s blouse hanging in my closet (which I still need to alter) and it doesn't really go with anything I have now. Surprised? So was I.
















The problem was that that the blouse is too short and all of my high-waisted skirts were too contemporary. Solution: The first addition to the mother apparel collection is going to be a high waisted-bubble skirt...because who can't resist those?

I need input on the fabric I choose.
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Bike ride in l'Eixample, anyone?


...because I've got a double bike. We can gawk at Gaudi tracery.


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29.7.09

Jane is a hot mess.

This illustration that was meant to be inspired by Jane Austen, but was really just Victorian scrollwork, has now turned into a Hot Art Nouveau MESS! I'd say help, but it's too late. bah!


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28.7.09

TAGWALL construction, deconstruction



finally, all the timelapses compiled from the TAGWALL project by Virginia and Dylan (with obvious help from numerous collective and noncollective members). the project was an interactive architecture + art project that took place as part of a day-long music festival. a video with updated credits coming soon.

song: Badonkadonkey by Born Ruffians on Warp Records.
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Join the COLLECTIVE's Mailing List

Send your newest mailing address and contact info to >>> andrew@supermanicecreamcollective.com


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